You're a Wolf

Sketches for an upcoming show at the Hibbleton Gallery where all the work will be based on songs. These are for the song "You're a Wolf" by Sea Wolf.

Rough comp, the final will be 12"x12".


Roadhouse...



Some quick wolf sketches.


The show opens February 12th, 2010 at the Hibbleton Gallery in Fullerton and is called "SHUFFLE." I'm aiming to put in 4-6 pieces... but I have many many projects going on right now so I may only do 2.

Happy Holidays

So, I've been really busy with work and away on vacation and let my ol' blog-i-olie fall to the wayside. For shame! Here are just a few commissions I've finally been able to get around to between other jobs:


(This was for someone who loves rabbits. And I love Beth Stichter. So it was fun.)


(An altered version of "Thorazine.")


(Female Sugar Skull for a tattoo.)

I'm going to be having another little give-away once I get back from vacation so I hope you are all still checking in!

Happy Holidays,
-Cooper

P.S. If you would like to purchase any of my recent work or know anyone who might want to, go here to Gallery 1988 SF (my stuff is about half way down the page) or here to Gallery Nucleus! Thanks!

Coral Tree: LA Weekly

A giant thank you to Daniel Lim for recommending me to Jason Jones and Darrick Rainey over at LA Weekly for a monthly visual column! I believe it's out now; check your local newsstands:

teaser:

sketch:

Photo of magazine: (Thanks Walt!)

Business Cards?

Here are ideas for the front of my business cards. Which do you like best?

1


2


3


4


5







You guys are AMAZING, thank you so much for helping me choose. Here are the final files for the two sets I'm ordering:
(I got them printed on 16pt paper with a matte finish and rounded corners.)

Front#1:


Front#2:


Back (for both):


I really appreciate all the comments and advise!

Just, ya know...

The family right before I shipped them off to the gallery.

Paper Pushers!

Here are the pieces that will be available for sale in the upcoming "Paper Pushers" show at Gallery 1988 San Francisco that opens December 11th!

If you are interested in any of these please contact the gallery at: gallery1988sf@gmail.com


"Hare"
pencil and gouache on stonehenge
5"x7"
100$



"Snarl"
pencil and gouache on stonehenge
5"x7"
100$



"Luzon Bleeding Heart"
pencil, ink, and gouache on stonehenge
6"x11"
*SOLD*



"Conjoined"
pencil, ink, and gouache on stonehenge
6"x11"
300$



"The Skatemaker"
pencil, ink, and gouache on stonehenge
6"x11"
300$



"Our Lady of the Harbor"
pencil, ink, and gouache on stonehenge
8"x8"
*SOLD*



"Swagger Like Us"
pencil, ink, and gouache on stonehenge
7"x15"
*SOLD*



"Skulking Around"
pencil, ink, and gouache on stonehenge
7"x15"
*SOLD*



"Barrow Boy"
pencil, ink, and gouache on stonehenge
7"x13"
*SOLD*



"Teach Me Tiger"
pencil, ink, and gouache on stonehenge
10"x10"
500$

My process when painting with gouache

This time I documented my process so you can see how I paint with gouache.

Paints: black waterproof india ink, brown waterproof india ink, and Winsor & Newton Gouache in spectrum red, prussian blue, and permanent white. (I often work with a limited pallet.)

Brush: Winsor & Newton series 7 (#5)
Pencil: Colorase in Tuscan Red
Paper: Stonehenge paper in white with museum board adhered to the back using matte medium for structural integrity

This is really important: LET THE PAINTING COMPLETELY DRY BETWEEN WASHES IF THE AREAS YOU ARE WORKING ON TOUCH. Otherwise it will look mushy and colors/values will bleed into each other. It really helps to be working on a couple at a time so you can rotate between them. You can also use a hairdryer to speed things up.

Another note: Gouach is water soluble but waterproof india ink is not, so you should try to only put gouache on top of ink and not the other way around or cracking and weird shit could happen. It's ok for little details like pupils in eyes and buttons but any extensive ink washes should be done before the gouache.

Overview:

1) I sketch on regular printer paper with colorase pencils, usually in carmine red.

2) Once I like a sketch I scan in and use photoshop to turn it black and white and increase the contrast and print it out at the size I want to paint it.

3) Using a ghetto lightbox I made from a glass shelf from a mini fridge and a fluorescent light I transfer the drawing to stonehenge paper using colorase pencils in either tuscan red, light blue, or carmine red.

4) I mount the paper to museum board or a wood panel using matte medium, let it dry under a heavy book for a couple hours/overnight, and then trim away any excess paper/board with an exacto knife.

5) I establish the values with washes of waterproof india ink.

6) I use washes of gouache to build up color and further refine value. At the end I use white gouache opaquely to hit shiny highlights like on noses and in eyes.

7) I go back with my colorase and reestablish any linework that was covered in the gouache stage to crispen up edges.

Details of painting process:

This is the first wash of the india ink, thinned way down. This helps establish initial values in the skin and creates a ground for the clothes.


The next wash starts to establish and refine value relationships.


Many washes later, I'm finally happy enough with the contrast and how the clothes are reading to move on from the black india ink.


This is the end result of several washes of brown india ink applied to select areas.


Color at last! Only using spectrum red gouache I slowly built up the warmth of the skin and the color of the clothing. To get gradations like in the cheeks, apply the watered-down gouache to a small area then quickly wash your brush and just lay a line of clean water on the blending edge of the still-wet paint.


The next color: prussian blue. Again, just built up in thin layers. I also mixed a new purple-red for the jackets using the blue and red because I wasn't happy with their tone.


The final product. I kept building up colors and contrast until I was happy, then I went through with a thick, opaque mix of permanent white to hit the highlights. Finally I went back through with my tuscan red colorase pencil to pick the lines back up and crispen up the edges and voila!


Elapsed time for both together: about 6 hours. (It takes as long to do one as to do two because either way you need to wait between each wash for it to completely dry.)